![]() ![]() And it doesn’t get much higher than that.Christian mission statement dior's wine no protocol specified cash flow statement methods And the return of the couture line to the runway was an excuse to show some of the bling that had been toned down in the show: the Versace high jewelry collection. You have to admire the way that Versace can rebrand itself each season. The smallest slip seemed dense with adornment, like the scattering of tiny sequins that might trace the open slits. That conceal-and-reveal element was abundant. There were other gorgeous skins, like the wine red crocodile coat or a sky blue fur, where a curving slit of nakedness created a sensuous path. She might have added “the perfect body,” for the models sashayed down the catwalk, their skin bared at key points, through a lacy, visible bra, or an open back. Campbell, both in black lace with peekaboo openings on the body. “I want everything perfect: the fabrics, the furs, the finest photographers like Horst and Man Ray,” said Ms. Naomi Campbell, the glamour-puss super model, opened and closed the Atelier Versace show, bringing to the catwalk the lacy, racy, high-paced style that belongs to Donatella Versace. Simons has some way to go before he makes his vision as clear as those images projected on the walls. And Dior needs a designer who will look not only at the storied history but also embrace the future - even if Mr. Old style couture is literally dying: Jean-Louis Scherrer and Gérard Pipart of Nina Ricci both passed away last month. He is picking up on the cultural and global changes that put Asian clients in key front-row positions in Dior’s show tent. Simons, even when he missed the beat, is right to push for something that moves beyond Dior’s Parisian heritage. The one constant was the fabulous quality of workmanship from the Dior ateliers. ![]() There were complications right through the collection, mostly because of this chosen path of mixing and melding different fabrics. Transparency was ever present, including a bare body seen through a sheer curtain of fabric.ĭid this ambitious, artistically led collection work? Not always. Throughout there was a sense of the undefined: waves of fabric, jackets looped loosely around the shoulders, and almost every outfit with three or four different materials - say a flowered bodice with drapes at the hips and light mesh material around the knees. Here came Paris, a variation on tweed suits with sheer, shiny covers there was Africa, all fiery red and deep blue, marked by tiny pebbles of embroidery then the Zen of Asia: pallid dresses, with fluid shapes and drapes. And it was, as if the designer had attached various, swinging pieces of fabric - and there were plenty - to a global wheel. ![]()
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